top of page

Analyzing Discourse Through Multimodal Approaches

Summary


Multimodal discourse analysis explores how we construct meaning using more than just words it examines how images, sounds, layout, and other forms of expression combine to communicate. This approach studies the interaction of these different elements across various media, from newspapers and television to films and digital platforms. Rooted in Halliday’s social semiotic theory, this perspective treats language as one of many tools for making meaning, each carrying three layers of significance: ideational (representing ideas and events), interpersonal (shaping relationships and attitudes), and textual (organizing information into a coherent whole).

Researchers such as Kress and van Leeuwen have extended these ideas into the visual realm, analyzing how choices in composition, color, camera angle, and subjects’ gaze can convey authority, emotion, or intimacy. A memorable illustration of this is a Time magazine cover featuring Michelle Obama, where the interplay of image, text, and design worked collectively to frame a specific public narrative.


Reflection

We often reduce communication to spoken or written language, but this topic was a powerful reminder of how much we interpret and rely on what we see, hear, and even feel. Recently, I saw a viral post that simply read, “I’m fine :)”, paired with a photo of a crumpled piece of paper in muted grayscale. The text alone seemed neutral, but the visual tone told a completely different story. That’s multimodality in practice meaning emerging from the combination of elements, not just the words themselves.

What really struck me is how silently persuasive design can be. Layouts, color palettes, and camera angles gently steer our emotions and interpretations, often without our conscious awareness. Halliday’s framework especially the idea of interpersonal meaning helped me understand this more clearly. In advertising, for instance, a friendly gaze, warm colors, and balanced composition can build a sense of trust and connection before a single claim is made.

This lens also changed how I move through everyday media. Now, whether I’m scrolling through Instagram, reading a news article with a bold headline and striking photo, or laughing at a meme, I recognize that I’m not just receiving a message I’m navigating a carefully curated experience. The blend of image and text doesn’t just communicate; it influences, critiques, and engages on multiple levels.

I find myself pausing more often to ask not only what is being communicated, but how and why it’s presented that way. In a world where visuals, sounds, and design often speak more loudly than text alone, that shift in attention feels essential. It turns every piece of media into a richer, more intentional conversation.

bottom of page